Hope, A Thing With Feathers

Grandma WildWhen we were growing up, every summer we traveled from our home in Kansas up to South Dakota and Minnesota to visit our grandparents.  My dad grew up in Delmont, South Dakota, which had once been one of the state’s many small but flourishing rural towns. When we were visiting in the 70′s and 80′s, it was smaller still and extremely quiet, even as small towns go.  The downtown had a single stop sign, and when a car drove by the house, you looked out to see who might be passing by.  Nevertheless, every day at twelve noon the air raid siren blew, just so you would know it was twelve o’clock.  Our lunchtime conversation had to stop until it died down.

My grandfather was a retired Lutheran minister, and my grandparents lived in what was known as the “old” parsonage, as a new modern ranch home had been built for the current minister directly next to the church, a mere half-block away.  Their house was a time capsule of sorts, filled with furniture from the 30′s and metal fans with fabric-covered cords.  It was also filled with hand-wound clocks, three of which chimed, bonged, and cuckoo’d on the hour.  (You can imagine what it was like at noon, when they were joined by the siren).  We read old comic books and played with vintage toys that my dad and his siblings had once enjoyed.  We knocked croquet balls through wire wickets staked out in the side yard.

My grandmother was tall and thin, and wore her hair in two long braids that were wound around her head and held with wavy tortoiseshell pins.  She had married my grandfather at 28, and they began raising their family during the Depression.  Even though she was a quiet person, she seemed always to be the one in charge, strong-willed and opinionated.  After a fall that caused (or was caused by) a broken hip, she was diagnosed with osteoporosis, and had to use a wheelchair to get around the house.  She spent a lot of time in her recliner (admittedly the house’s only modern piece of furniture) in the living room, and we played lots of games with her at the card table: cards, cribbage, and Yatzhee.

She loved songbirds, and in her younger days had occasionally defended hers against the neighborhood cats with an old BB gun that sat on a shelf just inside the back door.  One year there was a flicker who drummed on the storm gutters and woke us up in the mornings, and there were always mourning doves cooing close by.   Every time I hear a mourning dove, I remember being at the parsonage.

One summer when we arrived, there were two cylindrical feeders hanging just outside the kitchen window, filled with a mass of tiny seeds.  We were amazed to see the flocks of tiny, bright yellow birds that began visiting them during the day: goldfinches, birds we hadn’t seen at our feeders at home.  They sat on the little perches, hung upside down, and clung to the window screens as they devoured the thistle seed.  I was completely taken by them.  I was also taken by the sight of my grandmother, standing up carefully from her wheelchair to reach across the kitchen sink, and open the screens to retrieve the feeders and refill them.  It seemed a precarious act, and yet she did it anyway.  I can only imagine how much she must have enjoyed having those bright little birds come to visit her.  Today, every time I see a goldfinch I think of my Grandma Wild.  Besides being lovely, acrobatic little birds, it’s the reason I love painting them so much.

Goldfinch with ZinniasLast summer I potted zinnias in the planter boxes on our porch, and grew them from seed in the bed around our little tree in the front yard.  I was thrilled to soon find goldfinches visiting them regularly, clinging to stems and pulling the flower heads apart to collect the seeds.  I can’t say I minded that minor destruction though, because of the joy and the memories that they brought with them.  I planted more zinnias this spring, and am looking forward to when they’re flowering and bringing the finches back.

 

 

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Going to Market

Indiana Artisan Marketplace BoothLast weekend we had a wonderful experience at the inaugural Marketplace, Indianapolis’ newest art and food fair.  It featured almost 200 artists and craftspeople from Indiana and Kentucky, most of whom were juried members of the Indiana Artisan Program.  This program was launched in 2008 as a means of creating a designated “brand” of Indiana art and food items and is highly competitive; less than 25% of applicants are juried in. As Indiana Artisan developed the Marketplace event, it received a great deal of assistance from Kentucky Crafted: The Market, a similar program that has existed for almost 30 years.  Their help was much appreciated, and their artists added a lot to our local event!

I had never done an art fair on my own before; I’d been part of former gallery’s booth at similar events, but had never had my own space. Indiana Artisan presented a seminar in January that included a segment on creating and designing one, but it was still a daunting prospect, especially considering the potential expense involved.  But gradually things came together: an artist friend generously loaned me her set of carpeted booth walls, and the antique store next to our restoration shop let me borrow an antique rug.  Mike investigated credit-card processing options before settling on Square, a little device that lets you accept credit cards through a cell phone or in our case, an iPod.  There were some other fixtures involved: a table, a print rack and card rack, but those were  minor.  We also learned about fire-proofing; yes, all the booth fabric had to be fireproofed, which involved purchasing the solution and applying it to our tablecloths, which we strung up on a line in the backyard.  (True love is your husband spraying fire-retardant on table linens on a breezy April day.)  We knew we couldn’t treat the borrowed rug, and I was worried that it wouldn’t pass muster with the fire marshall, who was supposed to visit each and every booth before the event opened.  We must have missed the inspection though, because we never saw him!

On Friday Marketplace was open only to wholesalers who had pre-registered for the event, and while it was a fairly slow day, it gave us the opportunity to visit other booths and meet some really nice and interesting artists.  We also passed out Wildworks wholesale brochures, and right at the end of the day the owner of a design shop returned to my booth and decided to purchase two originals for a client.  In that one transaction almost my whole booth fee was covered.  Whew!  On to the next day!

On Saturday morning there was a line of people waiting to come in the door, and as we were on the far end of the hall, their was a lull before they started arriving in our area.  But throughout the day we had a great crowd, and literally rang up sales all day long; it surpassed even my best expectations.  And it wasn’t just our booth; other artists did well too. Lots of people were carrying packages, which is always a welcome sight at any art fair.  I sold three more originals, as well as lots of prints and cards.  That evening when we went home Mike updated the website to reflect sales, and I packaged more merchandise.  Sunday we had a smaller crowd, but still sales remained steady.  The boxed notecards sold out.

We also had a great time seeing friends who came, many using the coupons and passes I had made available.  I also had the opportunity to meet a very special “pen pal” friend who I’ve been communicating with during the past five years.  Back in 2006 I had a painting in a show at the Indianapolis Art Center, and received a nice hand-written note from a woman who had seen the show, and who loved the painting.  I wrote back and put Charlotte on my mailing list, and every time I sent a postcard, she would write to me, and I would respond.  While I didn’t know her age, I guessed that she was older, and from her address it appeared that she lived close by.  She went to see my solo show at the Art Center this past summer, and I sent her coupons for Marketplace, not knowing if she would make it or not.

On Sunday afternoon I turned from my spot in front of the booth to see an elderly couple approaching.  The husband gestured to me and said, “There she is,” and I knew instantly who they were.  It was my pen-pal Charlotte and her husband Jack, both 88 years old (we learned) who had made the trip down to the state fairgrounds to meet me and see the show.  I was overwhelmed.  It turns out that Charlotte was a commercial artist in the 40′s, and her sister (also an artist) was the illustrator of the original Raggedy Ann and Andy stories.  It was so nice to meet them and chat in person; I wish we could have had more time before things got busy again.  I hope that I can visit with Charlotte again soon, now that we have actually met!  True to form, we exchanged notes again this week.

Overall, Marketplace was a wonderful experience, from the people we met, the sales we made, and the words of encouragement I received from artists and patrons alike.  We artists often tend to work in a vacuum, and it was so good to be able to present the work to a large and receptive audience.  I’m already looking forward to next year, designing a new booth, and filling it with new work.  I wonder if that rug will still be available?

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Luna Cat

Luna Cat came to us in the fall of 2003.  She was a small, thin stray kitten who frequented the east side of the building where the restoration shop is located.  There were several cats who prowled around the neighborhood on the other side of the fence; all were leery of people and we were never quite sure which ones had a real home to return to.  There had been a litter of kittens in the spring, and a few of the stylists who worked at the new salon next door had taken the mama cat and some of the kittens home.  But for some reason no one took Luna.

I would see her from time to time sliding in and out from under the fence, trotting here and there, probably searching for bugs or mice.  She was entirely black, except for the small white spot on the tip of her tail.  She didn’t seem interested in approaching the open door of the shop, but stuck to her own agenda.

One day at home we opened a fresh bag of food for our dog, and on top was a free sample package of cat food.  Mike pitched it in the trash, but I fished it out.  I’m going to feed this to that little cat, I thought.  I told Mike as much, and he got a knowing look on his face.

The next day I poured some of the kibble on a plastic plate and went outside the shop, where Luna was crouched under the shop van.  I called to her and she came out a few halting steps at a time, and I moved gradually towards her. Together we slowly closed the gap until I could set the plate down, and she hungrily devoured it.  I fed her again the next day, and that afternoon she curled up a on carpet square on top of my workbench and fell asleep.  She became a regular visitor, and took advantage of the warm weather and all the open doors to roam freely throughout the building.  She made Mr. Solomon (the owner of the antique shop, and obviously not a cat person) nervous, and I had to go and corral her from the upper floor of the building.  Her final faux pas was jumping up onto a table that had recently been sprayed with finish, and I knew it was time to finally take her home.

Luna was hesitant at first about meeting our dog (a Doberman) but soon came to rule the roost, climbing right into Sally’s dog bed to sleep next to her, oblivious to Sally’s pained expression.  She explored the darkest reaches of the basement, and even climbed up inside the fireplace chimney.  (That access route was quickly blocked).  She has remained talkative, sassy, and insistent.  Now a bit plump, her favorite occupations are 1) eating and 2) finding a warm, cushy spot to sleep–she is the ultimate lap cat.  Luna has never shown any desire to go outside, and I think it’s because she has learned to embrace indoor cat life; she remembers all too well what it was like to be hungry and on her own.

Over the years she has been the subject of many pieces of artwork, inspiring me with her quirks and queen-bee personality.  (An album can be seen on my Facebook fanpage, Carrie Wild – Wildworks).  One of those works was licensed for a greeting card, and I like to say that Luna Cat has “gone global”.  Not a bad day’s work for a little stray trouble-making kitten!  Maybe that’s how she earns her keep.

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